Boots Randolh - Yakety Sax (1960)
Artist: Boots Randolph
Title: Yakety Sax
Label: Monument
Genre: Country (Jazz ?)
Release Date: 1960
Total Time: 31:34
Bitrate: СBR 192 kb/s, 44100 Hz, 16 bit stereo
Size: 44 Mb
01. Yakety Sax
02. Walk Right In
03. If You've Got The Money (I've Got The Time)
04. Cotton Fields
05. Charlie Brown
06. Cacklin' Sax
07. Smoke Gets In Your Eyes
08. I Can't Stop Loving You
09. Lonely Street
10. It Keeps Right On A-Hurtin
11. I Fall To Pieces
12. I Really Don't Want To Know
pass:fitchew
http://rapidshare.de/files/5013884/BR-YS1.rar.html
http://rapidshare.de/files/5016525/BR-YS2.rar.html
Boots Randolph's signature tune, "Yakety Sax," was inspired by the sax solo in the Coasters' "Yakety Yak," and is much better known than its modest chart placement might suggest. Randolph had recorded "Yakety Sax" for RCA several years earlier without success, but his Monument recording clicked in 1963 and the accompanying gold-selling album spent nearly a year on the charts. Randolph's unique status as the man who popularized the saxophone in Nashville is reflected in half an album's worth of country songs like "I Fall to Pieces" and "If You've Got the Money." Randolph acknowledges the Coasters again on a version of "Charlie Brown," and gives the commercial folk craze the nod with renditions of "Cotton Fields" and "Walk Right In." "Cacklin' Sax" is a novelty number on which Randolph imitates the sound of a chicken with his versatile horn. The album is split into two halves, with the slow songs grouped on the second side, and the first half is the clear winner of the two.
Boots Randolph (Homer Louis Randolph III):
Born: Jun 3, 1927 in Paducah, KY
Genre: Country, Jazz
Styles: Instrumental Rock, Nashville Sound/ Countrypolitan, Country-Pop, Instrumental Country
Instruments: Saxophone, Trombone
Biography (by James Manheim):
Tenor saxophonist Boots Randolph was an important contributor to the Nashville Sound, the set of pop-flavored textures that dominated country music in the late '50s and early '60s. He was born in Paducah, KY, but grew up in small-town Cadiz, in Trigg County. Born Homer Louis Randolph III, he acquired the nickname "Boots" in childhood from his brother Bob. Randolph began playing the trombone in school and learned several other instruments, but by the time he was 16 he had begun to focus seriously on the sax. He honed his chops as a member of the U.S. Army Band during World War II.
After the war, Randolph returned home and performed semi-professionally for some years around Indiana, Kentucky, and Illinois. In the late '50s, Jethro Burns heard him play and suggested he move to Nashville. Burns introduced Randolph to Chet Atkins, who signed him to the RCA label. Randolph also quickly made the acquaintance of Atkins rival Owen Bradley and performed on many recordings Bradley helmed as producer. Nashville's new corps of session musicians spent its leisure time in the Printer's Alley section of the city's downtown, an actual alley (between First and Second avenues) that offered entrance to various basement barrooms, and Randolph became one of the group. Like other Nashville players, he took enthusiastically to jazz and rock & roll in addition to country music.
One single, the 1963 instrumental "Yakety Sax," showed Randolph putting all these influences together and delivering an extremely catchy tune; it became his only real hit. But Randolph was a consistent seller of LP albums (with 13 charted releases) in the 1960s and 1970s; offering pleasant saxophone covers of material from various genres of music, he became a counterpart to Atkins on guitar and Floyd Cramer on piano. He moved from RCA to the Monument label in 1966. For well over a decade, in addition, he averaged 200-300 studio sessions a year on recordings made by others. The saxophone heard on Elvis Presley's later records is likely to be Randolph's.
In 1977, Randolph opened a successful club of his own in Printer's Alley; it endured into the 1990s and spawned another club in the Opryland U.S.A. area. Randolph remained active as an entertainer into the 2000s, and in 1994 the original Yakety Sax album was admitted into the unofficial country canon; it was reissued by Germany's Bear Family label.
Artist: Boots Randolph
Title: Yakety Sax
Label: Monument
Genre: Country (Jazz ?)
Release Date: 1960
Total Time: 31:34
Bitrate: СBR 192 kb/s, 44100 Hz, 16 bit stereo
Size: 44 Mb
01. Yakety Sax
02. Walk Right In
03. If You've Got The Money (I've Got The Time)
04. Cotton Fields
05. Charlie Brown
06. Cacklin' Sax
07. Smoke Gets In Your Eyes
08. I Can't Stop Loving You
09. Lonely Street
10. It Keeps Right On A-Hurtin
11. I Fall To Pieces
12. I Really Don't Want To Know
pass:fitchew
http://rapidshare.de/files/5013884/BR-YS1.rar.html
http://rapidshare.de/files/5016525/BR-YS2.rar.html
Boots Randolph's signature tune, "Yakety Sax," was inspired by the sax solo in the Coasters' "Yakety Yak," and is much better known than its modest chart placement might suggest. Randolph had recorded "Yakety Sax" for RCA several years earlier without success, but his Monument recording clicked in 1963 and the accompanying gold-selling album spent nearly a year on the charts. Randolph's unique status as the man who popularized the saxophone in Nashville is reflected in half an album's worth of country songs like "I Fall to Pieces" and "If You've Got the Money." Randolph acknowledges the Coasters again on a version of "Charlie Brown," and gives the commercial folk craze the nod with renditions of "Cotton Fields" and "Walk Right In." "Cacklin' Sax" is a novelty number on which Randolph imitates the sound of a chicken with his versatile horn. The album is split into two halves, with the slow songs grouped on the second side, and the first half is the clear winner of the two.
Boots Randolph (Homer Louis Randolph III):
Born: Jun 3, 1927 in Paducah, KY
Genre: Country, Jazz
Styles: Instrumental Rock, Nashville Sound/ Countrypolitan, Country-Pop, Instrumental Country
Instruments: Saxophone, Trombone
Biography (by James Manheim):
Tenor saxophonist Boots Randolph was an important contributor to the Nashville Sound, the set of pop-flavored textures that dominated country music in the late '50s and early '60s. He was born in Paducah, KY, but grew up in small-town Cadiz, in Trigg County. Born Homer Louis Randolph III, he acquired the nickname "Boots" in childhood from his brother Bob. Randolph began playing the trombone in school and learned several other instruments, but by the time he was 16 he had begun to focus seriously on the sax. He honed his chops as a member of the U.S. Army Band during World War II.
After the war, Randolph returned home and performed semi-professionally for some years around Indiana, Kentucky, and Illinois. In the late '50s, Jethro Burns heard him play and suggested he move to Nashville. Burns introduced Randolph to Chet Atkins, who signed him to the RCA label. Randolph also quickly made the acquaintance of Atkins rival Owen Bradley and performed on many recordings Bradley helmed as producer. Nashville's new corps of session musicians spent its leisure time in the Printer's Alley section of the city's downtown, an actual alley (between First and Second avenues) that offered entrance to various basement barrooms, and Randolph became one of the group. Like other Nashville players, he took enthusiastically to jazz and rock & roll in addition to country music.
One single, the 1963 instrumental "Yakety Sax," showed Randolph putting all these influences together and delivering an extremely catchy tune; it became his only real hit. But Randolph was a consistent seller of LP albums (with 13 charted releases) in the 1960s and 1970s; offering pleasant saxophone covers of material from various genres of music, he became a counterpart to Atkins on guitar and Floyd Cramer on piano. He moved from RCA to the Monument label in 1966. For well over a decade, in addition, he averaged 200-300 studio sessions a year on recordings made by others. The saxophone heard on Elvis Presley's later records is likely to be Randolph's.
In 1977, Randolph opened a successful club of his own in Printer's Alley; it endured into the 1990s and spawned another club in the Opryland U.S.A. area. Randolph remained active as an entertainer into the 2000s, and in 1994 the original Yakety Sax album was admitted into the unofficial country canon; it was reissued by Germany's Bear Family label.
