Kiltro is a martial arts tale of love, obsession and revenge , a first ever to come from Chile. Blending typical South American verité film styles with spaghetti western theatricality and a healthy Hong Kong martial arts influence, Kiltro was a major box office and critical success in its native Chile, establishing both its star,Marko Zaror [stunt double for Dwayne “The Rock” Johnson in The Rundown], and director Ernesto Espinoza as major players there.
Chilean brawler and stuntman Marko Zaror marks his emergence onto the international action scene with this fast-paced martial arts film about the leader of a small Chilean street gang who finds redemption by standing up for the people he loves most. Zamir (Zaror) is the leader of the Kiltros, an idol gang of thugs who spend more time being lazy than breaking any serious laws. Some time back, Zamir rescued half-Korean high school girl Kim from being raped, and now he spends the majority of his time obsessing over the pretty schoolgirl. While Kim doesn't have any real interest in Zamir, she continually toys with him by manipulating him to fight the tae kwon do students at her father's dojo. Suddenly, a villainous scoundrel named Max Kalba bursts onto the scene -- hell-bent on a mission to seek vengeance against Kim's father and his students. It seems that Max's late wife was not the faithful kind, and now the enraged widower places the blame for his wife's infidelity square on the shoulders of Kim's father. With nothing left to lose and everything to fight for, Zamir will take on Max in a fight to the finish to protect the people he cares for, and win Kim's heart once and for all.
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Set during the Edo period under the Tokugawa shogunate, Nemuri Kyôshirô is a mysterious samurai with sleepy eyes whose mother is a noble’s daughter and whose father is a fallen Western priest. His trademark fighting technique is the Engetsu-Sappo, literally meaning "The Full Moon Cut." It is a technique in which he draws a circle with his sword -- his opponent is always slain by the time the circle is completed.
"I'm just someone who's pissed off at all mankind even though I'm a man myself. I'm past the point of no return... I know not what the future holds, but in the time that I have, I shall be the ruin of evil men that cross my path."
Nemuri Kyôshirô 1: Sappocho is the first of the series , it is also called Sleepy Eyes of Death #1. In it, the ronin Nemuri Kyôshirô is embroiled in a plot to grab a jade statue that contains damning evidence of a clan's smuggling activities. His character, brimful of cynicism and ennui, is a perfect example of the world-weariness displayed by both noir antiheroes and ronin, jaded men who have seen too much death and the worst side of human nature.
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An official entry to 2007 Montreal International Film Festival, set in the early years of the Showa Era in Japan, this story revolves around three men who aspire to receive the ‘kuro-obi’ that can go only to the rightful successor. "Black Belt" is a thinking person's martial-arts saga that deftly, if predictably, balances the yin and yang of violent confrontation and moral reflection against the backdrop of military co-opting of karate in 1930s Japan. Absent the visual razzle-dazzle of CGI and wirework, becoming de rigueur for such fare, measured approach by vet Nipponese genre journeyman Shunichi Nagasaki leaves pic with an honorable fight ahead of it following fest action.The actors in these leading roles are all actual holders of karate Black Belt rank, and siplay this true masculine strength in a way that mere acting could not achieve. In the main cast, the role of Giryu, is played by AKIHITO YAGI (Fifth Dan), instructor in International Meibukan Goju Ryu Karate. The role of Taikan is played by TATSUYA NAKA (Sixth Dan), instructor at the Japan Karate Association General Headquarters (Corp.)
Critics have been calling it the thinking person’s martial arts movie. BLACK BELT (KURO-OBI), a period karate film from director Shunichi Nagasaki, held its world premiere at the Montreal World Film Festival back in August prior to its October release in Japan. It has since picked up highly favorable buzz from early viewers and the American karate community, notably for what is being hailed as one of the most authentic and powerful depictions of karate ever put to feature film.
Set in the early years of the Showa Era in Japan, the story revolves around three men who aspire to receive the “kuro-obi” that can go only to the rightful successor.
The year is 1932. Three men are zealously engaged in karate training at the dojo of Eiken Shibahara. Their names are Taikan (Tatsuya Naka), Choei (Yuji Suzuki) and Giryu (Akihito Yagi). Eiken suddenly dies, but the “kuro-obi” black belt that will designate his successor has not yet been passed on.
“Karate is not about fighting.” Who will be the one to heed Eiken’s words of wisdom and receive the coveted “kuro-obi” to carry on as his successor?
In a related development, the Military Police Headquarters takes note of the exceptional skill of these martial art practitioners and the three men are commanded to join their forces. Then, the three that have left the dojo are thrust into a terrible and fateful encounter.
In opposition to modern martial arts film trends where wires, CGI or stylized filmmaking techniques are employed to dazzle audiences with frivolous action, Nagasaki has combined a character-driven story from screenwriter George Iida with the talents of real black belt karate masters Akihito Yagi, Tatsuya Naka and Yuji Suzuki. Yet it was more than just the fighting skills of these non-actors that attracted the director, particularly in regard to Yagi who is the son of famed Goju-ryu master Meitoku Yagi.
“I have been looking at karate and other martial arts for more than 20 years, but when I first saw Akihito’s moves, I saw something that I had never seen. It was fascinating,” said Nagasaki. “There are many martial artists with long careers but seeing Akihito’s kata, I saw not only the kata performed by a real martial artist but a real aura that was captivating. This is a factor that first-class actors have, like a natural talent and Akihito had it. That’s why in my mind he was the perfect person for the role of Giryu.” - - Mark Pollard ;Kungfucinema
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Вэй Фан (Дэвид Цзян) - сын придворного учёного, прекрасно владеет не только кисточкой, но и кулаками. Император посылает его в клан Тьен, с заданием раздобыть доказательства причастности клана к бунтовщикам, с условием, что если он не вернётся через год, вся его семья погибнет. Вэй Фану удаётся проникнуть в клан под видом учителя внучки предводителя клана (Лау Кар Вин). Вскоре "учителя" заподозрили в шпионаже и решили избавиться от него. Но внучка Джи Джи поуши влюбилась в учителя и дело закончилось свадьбой. Прошёл почти год, Вэй Фану удалось добыть доказательства, но выбраться не так-то и просто, так как все члены клана - прекрасные бойцы...
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Early Chang Cheh and also one of his bests. The action is bit slow compared to later films but is very well handled. Excellent performance from the magnificent trio Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun. All 3 are so good looking and charismatic it's a always a pleasure to watch them fight.
Chang Cheh uses red or monochrome camera filtering to emphasis on the tragic moments, mostly the death of a hero. He uses the same technique again in his later films.
Worth mentioning is Fu Sheng's death which is particularly nasty. Which reminds me of another (possibly) Chang Cheh film in which Ti Lung is cut in half!! Cheh sure knows how to deal out terrible deaths to his heroes.
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